Profoundly trashy

Eurozine Review 17/2020

Osteuropa studies the history of Russia’s diseased democracy; Soundings considers remaking the world; Merkur debates representation versus twitterocracy; Razpotja reads Hegel as comedy; talks to novelists about redemption, patriarchy and elephants.

Cover for: Redemption, patriarchy and elephants August–September 2020

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The US novelist Rachel Kushner talks to about her latest work, The Mars Room. Set in the Californian prison system, the novel sheds light on ‘cruelty and the social structures that necessitate it’. Kushner discusses writing in the first person and her need to ‘unleash’  her own life into the work, ‘because it would then give me an occasion to process some of the feelings I’ve stored up, over a lifetime, in regard to the destinies of various people I’ve known, grew up with, and whose lives turned out very different from my own’.

Kushner offers her perspective on forgiveness and redemption: ‘A California prison can make Christianity seem soft and loving by comparison with a system that offers no redemption, no second change whatsoever’. But not everything is so bleak: America is ‘a trash place, but it’s trash with a certain tragic profundity and a whole lot of flair’.

Postmodern witches

Croatian novelist Želimir Periš discusses his latest novel a punk parody of a nineteenth-century tale featuring a village witch named Gila. Periš contrasts Gila with the Virgin Mary and points out the paradox – that Gila is first and foremost a devoted mother. Despite featuring strong female protagonists, Periš insists that the book be read primarily as a historical novel with a postmodern twist. All novels should be feminist, he claims, and yet, despite the patriarchal era coming to an end, emerging forms of discrimination will remove us even further from utopia.

Fragments of existence

‘A short story is like a volcanic eruption – it starts abruptly and you never know where it might lead’, says Etgar Keret. The Israeli writer and graphic novelist describes his short stories as a mixture of objective narrative and readers’ interpretation, and his writing process as ‘anything but rational’. As for grasping the wholeness of human existence, it is ‘like a blind man meeting an elephant – only fragments are comprehensible’. Keret’s most recent collection, Fly Already, deals with loneliness and isolation, with unease about a world that is changing too quickly and with a reality that has become stranger than fiction.

This article is part of the 17/2020 Eurozine review. Click here to subscribe to our weekly newsletter to get updates on reviews and our latest publishing.

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